Share your thoughts, photographs and videos of places you think should be a part of the LISTEN Project. Using the music venue inspired exhibition, STATIC NOISE: The Photographs of Rhona Bitner, as inspiration, the University Art Museum, CSULB invites you put the coolest spots in music history on the map. From holes in the wall to coliseums, all have a place in the story. Join the conversation by submitting content!

 

This is a transcription of KUSC’s Spotlight on the Arts, from February 20, 2012. In case you missed the original airing, you can always take a LISTEN on the KUSC podcast (episode archive) page.
“If Walls Could Talk. I’m Brian LauritzenPhotographer Rhona Bitner pays homage to iconic music venues in the exhibit, STATIC NOISE, now on view at the Cal State Long beach University Art Museum. Twenty-eight vibrant photos show the spaces in a variety of states, like Detroit’s now deteriorating Grande Ballroom,  once home to big band music, later an influential punk rock club.  Bitner says she relies only on natural lighting when she shoots:
The  photographs in a way are the artifacts. I think the real work is my  going. It’s the physical act of standing there, and the photographs are  what I take away. The venues that are crumbling, that’s the way they  are—it’s about what I see that day when I’m there.
STATIC NOISE: The Photographs of Rhona Bitner are on display at the Cal State Long Beach University Art Museum through April 15th. For information visit, csulb.edu.”For spotlight on the arts, I’m Brian Lauritzen.”
In reading Rhona’s words, it’s clear that her relationship with the  spaces she photographs is a personal one, and that she would want  visitors to develop a similar bond with the as-is architecture she  carefully captures in her work.
For more from Mr. Lauritsen, follow Brian on Twitter @BrianKUSC, or check out the KUSC Blog for behind the scenes looks at the Los Angeles Philharmonic and much more artsy stuff!

This is a transcription of KUSC’s Spotlight on the Arts, from February 20, 2012. In case you missed the original airing, you can always take a LISTEN on the KUSC podcast (episode archive) page.

“If Walls Could Talk. I’m Brian Lauritzen
Photographer Rhona Bitner pays homage to iconic music venues in the exhibit, STATIC NOISE, now on view at the Cal State Long beach University Art Museum. Twenty-eight vibrant photos show the spaces in a variety of states, like Detroit’s now deteriorating Grande Ballroom, once home to big band music, later an influential punk rock club. Bitner says she relies only on natural lighting when she shoots:

The photographs in a way are the artifacts. I think the real work is my going. It’s the physical act of standing there, and the photographs are what I take away. The venues that are crumbling, that’s the way they are—it’s about what I see that day when I’m there.


STATIC NOISE: The Photographs of Rhona Bitner are on display at the Cal State Long Beach University Art Museum through April 15th. For information visit, csulb.edu.”
For spotlight on the arts, I’m Brian Lauritzen.”

In reading Rhona’s words, it’s clear that her relationship with the spaces she photographs is a personal one, and that she would want visitors to develop a similar bond with the as-is architecture she carefully captures in her work.

For more from Mr. Lauritsen, follow Brian on Twitter @BrianKUSC, or check out the KUSC Blog for behind the scenes looks at the Los Angeles Philharmonic and much more artsy stuff!

In our last post, we got into the history of the Grande Ballroom, in Detroit. Today, we’re focusing on Kick up the Jams by MC. For Rhona, it’s not about the people in the space, it’s about the space itself. We love these photos of MC5 performing at the Grande Ballroom because they might provide a visual counterpart to the sound someone might imagine when they look at Rhona’s color coupler print, Grande Ballroom, Detroit, MI.

In the recent article “Photo exhibit an homage to legendary music venues” by Sam Gnerre, Rhona gives some great quotes that clarify how she views the spaces she photographs as imbued with sound. Here’s a short excerpt from the article that frames Bitner’s experience photographing the Grande: 

“‘I’m photographing sound,’ she says, ‘and listening to the space, to what came before there.’

She visited Detroit’s Grande Ballroom on an overcast day in 2008 and found ground zero of the incendiary Detroit rock scene that spawned the MC5, Iggy and the Stooges and Ted Nugent to be in decrepit shape.

‘The sun came out for five minutes while I was there, and I was able to capture the shot,’ she says.

Attempts to preserve and restore the Grande, now owned by a church, have so far been unsuccessful.

[…] ‘I’m not nostalgic,” Bitner says. “I’m not wishing for a better time. I’m just trying to hear the sounds of the rooms as I find them.’”

We think the second verse and second chorus of the song speak to Rhona Bitner’s treatment of her photographs as sound pieces. See below for bolded and italicized lyrics that we think Rhona would be really into.

Yes I’m starting to sweat
You know my shirt’s all wet
What a feeling
In the sounds that abounds
And resounds and rebounds off the ceiling

You gotta have it baby
You can’t do without
When you get that feeling
You gotta sock ‘em out
put that mic in my hand
And let me kick out the jam
Yes kick out the jams
I want to kick ‘em out

Want more? Read up on the awesome history of MC5, or cruise over to founding band member Jarrod Dicker’s blog—Machine Gun Thompson—where you can find stories about their performances at the Grande and totally psychedelic concert posters.

Anyone have an experience they’d like to share about the Grande Ballroom? Let us know!